The Lost World

Karin Fleck

Imagine you are just a few hours away from your holiday. As usual, you have planned everything long in advance. The destination has been on your “Must-See-Places-in-the-World” list for a long time; you selected the flight carefully, and you informed … Continue reading “The Lost World”

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The Derivative Image: Historical Implications of the Computational Mode of Production

Susana Nascimento Duarte

The below interview between Susana Nascimento Duarte (School of Arts and Design, Caldas da Rainha/IFILNOVA) and Jonathan Beller first appeared in Cinema: Journal of Philosophy and the Moving Image, no. 10, in March 2019, and we are grateful to Cinema … Continue reading “The Derivative Image: Historical Implications of the Computational Mode of Production”

| Features: Interviews

You Say Wife

Kay Gabriel

Dear Kay— A letter in seven arguments. 1. On Lies In another poem a man compares me to pussy, and then it happens again. Rosario says straight men don’t even like pussy, an attack so devastating I took it vicariously. … Continue reading “You Say Wife”

| Features: Poetry

Pneumatic Memory: Listening to Listening in The B-Side: “Negro Folklore from Texas State Prisons,” a Record Album Interpretation

Julie Beth Napolin

In 1964, incarcerated men in a segregated Texas state prison gathered before an ethnographer’s field recorder and sang work songs, toasted, and told tales known intimately to them. Bruce Jackson, a Junior Fellow at Harvard, listened and recorded the various … Continue reading “Pneumatic Memory: Listening to Listening in The B-Side: “Negro Folklore from Texas State Prisons,” a Record Album Interpretation

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