In January 2016, I had the opportunity to dialogue over email with sound artists Mendi and Keith Obadike. We discussed their site-specific work, Blues Speaker [for James Baldwin](2015), jointly commissioned by the Harlem Stage and the Vera List Center for … Continue reading “On Blues Speaker [for James Baldwin]: A Conversation with Mendi and Keith Obadike”
The following is an edited interview between writer and publisher Aaron Winslow and two writers whose books he has recently published on Skeleton Man Press, Kristen Gallagher and Ed Steck. You can read an excerpt from Kristen’s 85% True/Minor Ecologies … Continue reading “A Little Gross: A Conversation with Kristen Gallagher and Ed Steck”
The following is an edited transcript of an e-mail interview between Iraqi fiction writer and essayist Ali Bader and Social Text Online editor Anna McCarthy. Bader’s story “The Corporal” appears in Iraq+100: Stories from a Century after the Invasion, a … Continue reading “In Conversation with Ali Bader”
Marquis Bey interviews Alexis Pauline Gumbs, author of the poetry collection Spill: Scenes of Black Feminist Fugitivity. Read an excerpt from book here. Marquis Bey: So I want to begin, if I may, expressing to you how utterly thankful I … Continue reading “A Spillage of the Fugitive Variety”
The following is an edited transcript of an e-mail interview between the artist Luke Willis Thompson and Social Text editor Tavia Nyong’o that was conducted over the spring and summer of 2015, during and after the New Museum triennial, within … Continue reading “In Conversation with Luke Willis Thompson”
ST PODCAST: Web editor Ashley Dawson sits down with former Social Text editor Andrew Ross to discuss his newest book, Creditocracy and the Case for Debt Refusal (OR Books, 2014).
Social Text Collective Member Jonathan Beller, interviewed for Kulturpunkt by Ante Jeric and Diana Meheik. Re-posted from Kulturpunkt.hr. Thanks to Tanja Vrvilo and Film Mutations. KP: The Cinematic Mode of Production is the term by which you seem to be introducing … Continue reading “From The Cinematic Mode of Production to Computational Capital: An Interview with Jonathan Beller for Kulturpunkt”
Social Text Collective Member Alondra Nelson discusses her research on the Black Panther Party’s health activism, criminalization, and public health policy as part of the JustPublics @365 podcast series.
Arab Talk recently posted an archived interview with Social Text Collective Member and Co-Editor Neferti X. M. Tadiar about her trip to Palestine in 2012, sponsored by the USACBI. You can also read Tadiar’s article “Why the Question … Continue reading “Arab Talk Interview: Neferti Tadiar on Palestine”
Jadaliyya interviews Social Text Collective Member Ella Shohat on partition and the problematics of national belonging for Arab Jews, in “Bodies and Borders.”
Social Text Web Editor Ashley Dawson discusses his research and activism as part of the Just Publics @365 podcast series.
Jacqueline Aquino Siapno (Joy) is originally from Dagupan City, Pangasinan, Philippines and is married to Fernando `Lasama’ de Araujo, Presidential Candidate in Timor Leste (East Timor) and current President of Parliament. Joy Siapno is the author of Gender, Islam, Nationalism and … Continue reading “Siding with the dispossessed: Interview with Jacqueline Aquino Siapno”
Arab Talk Host Jess Ghannam interviews Professor Nikhil Singh about his recent trip to Palestine sponsored by the USACBI.
Rob Nixon’s Slow Violence and the Environmentalism of the Poor was published this spring by Harvard University Press. Nixon’s work has been crucial to articulating the conjunction — as well as the fault lines — between postcolonial studies and ecocriticism. … Continue reading “Slow Violence and the Environmentalism of the Poor: An Interview with Rob Nixon”
An Interview with Matthew Frye Jacobson.
Michael Mandiberg: So tell us about the Historian’s Eye project…
Matthew Frye Jacobson: This started for me back in about 2007-2008. I was trying to think about different ways of getting intellectual work out in the world, continuous with all the writing I’ve done but in a different register. Read more