Hell is good. To live here, it is good. I really like it! It’s the best thing that ever happened to me. It’s the crowning joy of my life to exist in Hell. It’s amazing. It’s so sweet and charming. … Continue reading “Welcome to Hell”
I am told that Brussels is the new Berlin, what Berlin was twenty years ago. What this person means is that it is the only spot left in Europe where artists can afford to be artists. I walk to the … Continue reading “Journal from Brussels and Paris”
Lacking blankets sleep mapped out a march of ice with a mind of April thinking today is the day rain prosecco tipped off flamboyant spray shed their own Pittsburgh blew us mindlessly dove. Flick the tongue of my cradle speech … Continue reading “Bureau to Counteract the Demonstration”
Author’s note: Gajanan Madhav Muktibodh (13 November 1917 – 11 September 1964) was a Hindi poet, a literary critic and theorist, a short story writer, and a journalist who wrote extensively on the geopolitics of the period. A concerted Marxist … Continue reading “Translating “To a Formless Void” by G. M. Muktibodh”
The Messenger What do I want to you to say now no not that tainted evaporated touch me harder words weighted belonged in something farther love’s the attempt at one another love’s the age for … Continue reading “Three Poems”
I love my child but I will always love my father more. I love my child and this is why I learn to keep her good face clean. As you clean your face remember to move your hands toward your … Continue reading “Look at What You’ve Done”
F Rations Crippled little spheriod super-capsule unsafe to outlive, the whole body the WHOLE BODY of a strong people presents you with this old gift certificate gene, we trillion as one willed it to be spliced into tin can F … Continue reading “Three Poems”
Richard Owens tells only one joke as such in No Class (Barque Press, 2012). Will you get it? Three cops walk into a bar: a dialectician an artist and a hedge fund manager. The artist says to the hedge fund … Continue reading ““But funny how”: Richard Owens’ No Class“
Skeleton Man Press has allowed us to publish an excerpt from Kristen Gallagher’s new book 85% True/Minor Ecologies, which can be purchased here. Read Aaron Winslow’s accompanying interview with Gallagher and poet Ed Steck here. I use accuweather.com because I … Continue reading “Disaster-by-Numbers”
I’m just like realizing things I’m on mushrooms in chinatown house sitting with K // i’m 24 today and i’m mostly orange now / I moved to new york to find control but keep repeating the soft succession of flowery … Continue reading “The untraning of loving this shit”
Whoever pride in the face I went for a ride with my friend on the shore of our news where all the objects were and there was no waste to love or be an end for politics in the fantasy … Continue reading “Comrade Love and Comrade Spell”
1. “No matter how much you feel it, you want To feel it even more.” That’s the feeling Tony Bennett says he sees in Amy Winehouse when they meet to record “Body & Soul” in March 2011 For Bennett’s album … Continue reading “Popular Culture”
Duke University Press has allowed us to publish an excerpt from Alexis Pauline Gumbs’ fantastic new book Spill: Scenes of Black Feminist Fugitivity, which can be purchased here. These passages come from a chapter titled “How She Survived Until Then.” … Continue reading “From Spill: Scenes of Black Feminist Fugitivity“
The Oakland-based press Timeless, Infinite Light has allowed us to publish an excerpt from Brian Whitener’s fantastic new book Face Down, which can be purchased here. From Face Down In the mid-1850s, a non-ethnically marked lady, Mother, and her partner … Continue reading “From Face Down“
I. The Iron Horse II. The Taiwan Blue III. The Mint Bang III. The Sitting Bull IV. The Leather Eagle II. THE TAIWAN BLUE YOU DO NOT REMEMBER WHERE YOU WERE OR WHEN IT WAS THAT YOU FIRST FOUND IT … Continue reading “FROM EUPHORIA“
