Periscope articles and content
Overview The first rule of guerrilla warfare is to know the terrain and use it to your advantage. No longer does this require navigating the mountains of Cuba with a rifle on one’s back, as today’s political topography is … Continue reading “School for Creative Activism – a project of the Center for Artistic Activism”
Haley Mellin: What is the Bruce High Quality Foundation? Bruce High Quality Foundation: The Bruce High Quality Foundation creates installations, videos, paintings, sculptures, performances, and institutions that reveal our collective creative agency within the seemingly monolithic forces of art … Continue reading “Interview between the Bruce High Quality Foundation and BHQFU’s current dean, Haley Mellin”
Sputiamo su Hegel! We spit on Hegel — Carla Lonzi, Roman, of Rivolta Femminile[1]. Anhoek School is both art project and roving educational experiment. It disrespects some of its elders; it spits on Hegel (in the spirit of Rivolta … Continue reading “Anhoek School”
School of Missing Studies (SMS) explores the knowledge that slips through the disciplines of architecture, urban planning, history and art but seems to flow freely in unbounded spaces and networks. It takes a collaborative and experimental practice to scout for … Continue reading “School of Missing Studies”
New York Arts Practicum is a summer arts institute where participants experientially learn to bridge their lives as art students into lives as artists in the world. The program is structured around apprenticeships with mentor artists, a critique seminar where … Continue reading “New York Arts Practicum”
We initially drafted this piece as a series of propositions and reflections to circulate to the group in advance of the workshop/roundtable discussion, in response to a set of prompts. We decided to preserve that form in the final … Continue reading “An Assessment, and a Small Intervention: On Pedagogy and Intellectual Community”
Mildred’s Lane is a 93-acre, wildish site deep in the woods of rural northeastern Pennsylvania on the border of New York State. It is an ongoing collaborative involvement with my fellow artist and friend, Mark Dion, our son Grey … Continue reading “Mildred’s Lane and The Mildred Complex(ity)”
This is an excerpt of a working document used from 2010-2013, written in 2010 by Caroline Woolard for Trade School New York. The full document is available here: http://tradeschool.coop/public/startaTS.pdf Principles What: Trade School is a learning experiment where teachers … Continue reading “Dear Potential Trade School Organizer”
As we wound down this dossier on Hurricane Sandy and NYC, Typhoon Haiyan/Yolanda struck the Philippines a devastating blow. The still-unfolding tragedy is a stark reminder of the fact that climate change is not experienced evenly. While Hurricane Sandy … Continue reading “Combined and Uneven Disaster”
The Public School is a free school whose curriculum is determined by participants. It was founded in 2007 in Los Angeles in the basement of Telic Arts Exchange and has branches in a number of cities around the world. It … Continue reading “The Public School”
SOMA is a non-profit experimental arts organization conceived to nurture discussion and exchange in the field of contemporary art and education in Mexico City. SOMA’s mission is to provide a forum for dialog among Mexican and international artists and … Continue reading “SOMA”
Occupy University (OccU) grew out of the Education and Empowerment working group of the Occupy Wall Street movement in fall 2011. Initially named Nomadic University, OccU was formed with the goal of creating a university for everyone, at which education … Continue reading “Occupy University”
I This dossier is one more step of the journey that began toward the end of 2009/beginning of 2010, and that already has roads planned into the future. The idea of this dossier, however, emerged in Middelburg, The Netherlands, … Continue reading “Decolonial AestheSis: Colonial Wounds/Decolonial Healings”
In this dossier we look at the geopolitics of sensing, knowing and believing that have been at play in the variegated versions of the project decolonial aestheSis. The participants are intellectuals, curators and artist and many of them all at … Continue reading “The Decolonial AestheSis Dossier”
In locales where the resources are scarce and the imperial-colonial configurations more complicated than in the West-East or North-South dichotomies, the politics of physical survival and the politics of servility towards the criminal state unfortunately dominate. There are no recipes … Continue reading “The Observatory of the Bereaved: Unbinding the Imaginary in Eurasian Borderlands”
