Sampling the Land and the Trappings of Empire: Jaden Smith’s Moving-Image Settler Aesthetic

Ho’esta Mo’e’hahne

Jaden Smith’s music video Fallen (directed by Miles Cable and Jaden Smith, USA, 2016, 4 min and 39 sec.) staggers and then collapses face first into settler-imperial iconographies of occupation. In the video, Smith–the actor, musician, model, and self-proclaimed living … Continue reading “Sampling the Land and the Trappings of Empire: Jaden Smith’s Moving-Image Settler Aesthetic”

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In Search of Alternative Globalities: A Critical Aesthetics of Global Asia

Nadine Chan and Cheryl Narumi Naruse

Singapore has been engineered as the paradigmatic example of “Global Asia,” a place where curated narratives of “Asian culture” attract global capital. Amid the city-state’s iconic markers of cosmopolitan modernity (modern architecture, a multilingual population fluent in English, and food … Continue reading “In Search of Alternative Globalities: A Critical Aesthetics of Global Asia”

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Global Asia and the Legacy of Counterinsurgency: Malaya Speaks and the Malayan Film Unit

Peter J. Bloom

Global Asia deploys the discourse of globalization as a reframing of an expansive geographic point of reference. A significant element regarding debates about globalization is whether it restages with greater efficiency the same underlying context for political and social violence … Continue reading “Global Asia and the Legacy of Counterinsurgency: Malaya Speaks and the Malayan Film Unit”

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Questioning Asianist Autoethnography: Critical Aesthetics of Global Asia in Singapore’s National Gallery

Brian Bernards

Housed in the former Supreme Court and City Hall buildings, Singapore’s National Gallery opened in 2015 under state sponsorship and is emblematic of the island nation’s ambitions to be a globalized Asian hub of not just shipping and finance, but … Continue reading “Questioning Asianist Autoethnography: Critical Aesthetics of Global Asia in Singapore’s National Gallery”

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Stalking History

Bill Vourvoulias

On Hunter of Stories. 2017. By Eduardo Galeano. Translated by Mark Fried. Nation Books. The late Uruguayan writer Eduardo Galeano made it his life’s mission to come up with an alternate history of Latin America, one that relied more on … Continue reading “Stalking History”

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Musical Migrancy

Edward Akintola Hubbard

On Cape Verde, Let’s Go: Creole Rappers and Citizenship in Portugal. 2015. By Derek Pardue. University of Illinois Press. As Europe grapples with an apparently inexorable wave of ethnic nationalist politics in response to its so-called immigrant crisis, the question … Continue reading “Musical Migrancy”

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