The Derivative Image: Historical Implications of the Computational Mode of Production

Susana Nascimento Duarte

The below interview between Susana Nascimento Duarte (School of Arts and Design, Caldas da Rainha/IFILNOVA) and Jonathan Beller first appeared in Cinema: Journal of Philosophy and the Moving Image, no. 10, in March 2019, and we are grateful to Cinema … Continue reading “The Derivative Image: Historical Implications of the Computational Mode of Production”

| Features: Interviews

From The Cinematic Mode of Production to Computational Capital: An Interview with Jonathan Beller for Kulturpunkt

Jonathan Beller, Ante Jeric and Diana Meheik

Social Text Collective Member Jonathan Beller, interviewed for¬†Kulturpunkt by Ante Jeric and Diana Meheik. Re-posted from Kulturpunkt.hr.¬†Thanks to Tanja Vrvilo and Film Mutations. KP: The Cinematic Mode of Production is the term by which you seem to be introducing a … Continue reading “From The Cinematic Mode of Production to Computational Capital: An Interview with Jonathan Beller for Kulturpunkt”

| Features: Interviews