The below interview between Susana Nascimento Duarte (School of Arts and Design, Caldas da Rainha/IFILNOVA) and Jonathan Beller first appeared in Cinema: Journal of Philosophy and the Moving Image, no. 10, in March 2019, and we are grateful to Cinema … Continue reading “The Derivative Image: Historical Implications of the Computational Mode of Production”
Social Text Collective Member Jonathan Beller, interviewed for Kulturpunkt by Ante Jeric and Diana Meheik. Re-posted from Kulturpunkt.hr. Thanks to Tanja Vrvilo and Film Mutations. KP: The Cinematic Mode of Production is the term by which you seem to be introducing a … Continue reading “From The Cinematic Mode of Production to Computational Capital: An Interview with Jonathan Beller for Kulturpunkt”
Hong Kong cinema has been in a state of ambivalence for a long time despite the fact that it has always been so unambivalently commercialized. This is less a cause than a consequence of the fissured condition of cultural production … Continue reading “Decolonial Moments in Hong Kong Cinema”
During the events in Iran this summer (2009), I saw a young person wearing a T-shirt featuring the old Gil Scott-Heron line: “The Revolution Will Not Be Televised” (1971). The couplet concludes: “the revolution will be live.” Or on … Continue reading “What We Saw: Politics in the Mirror of Neda Agha-Soltan”
