Global Asia is, to use Theodor Adorno and Walter Benjamin’s term, a constellation of geopolitical, economic, and cultural forces creating a set of mediated and mutable linkages for analyzing how images of Asia circulate around the globe historically and how … Continue reading “Noir Fiction in Malaysia and Singapore as a Critical Aesthetic of Global Asia”
Tag: Singapore
Questioning Asianist Autoethnography: Critical Aesthetics of Global Asia in Singapore’s National Gallery
Brian BernardsHoused in the former Supreme Court and City Hall buildings, Singapore’s National Gallery opened in 2015 under state sponsorship and is emblematic of the island nation’s ambitions to be a globalized Asian hub of not just shipping and finance, but … Continue reading “Questioning Asianist Autoethnography: Critical Aesthetics of Global Asia in Singapore’s National Gallery”