My people used to roam all over the place. -Homer, The Exiles As soon as he walked into the bar, I knew he was Native. He knew or knew that I knew and in no time, he was standing next … Continue reading “Reverse Manifest Destiny (Or, The Exiles and Me)”
This edition of Periscope focuses on the writing of Kevin Killian, the poet, memoirist, playwright, and fixture of New Narrative writing who passed away last June. The writers here—Steven Zultanski, David Kuhnlein, Kay Gabriel, Eric Sneathen, and Cam Scott—examine a … Continue reading “On the Work of Kevin Killian”
Any poetic writing about and through pop culture wants to flush the residues of a Romantic ideology of original virtuosic composition without also thereby disposing of the subject. Kathy Acker describes the insouciant fun of unoriginal writing: “It’s like a … Continue reading “Action Kevin”
In his own words, Kevin Killian’s “Tagged” was a project in which he photographed “individual artists and poets, mostly male, naked, their junk covered often by a squarish drawing, almost a caricature, of a cock and balls by Raymond Pettibon.” … Continue reading “On Kevin Killian’s “Tagged” Project”
It’s something of a relief, when, late in Fascination, Kevin Killian reflects on the cruelty of the youthful romances that he’s been narrating: “…as I look back I see that I had a ruthless streak; I could be horrifyingly manipulative” … Continue reading “Very Good: On Kevin Killian’s Fascination“
How do queer studies operate outside Western contexts? What can American queer studies learn from outside of its parochialism? How should American queer studies engage with the non-American ones? These are the underpinning questions behind this post. In the postscript … Continue reading “Pedagogy of the Homeless: Poor Queer Studies in Indonesia”
Some of the most radical criticism coming out of the university today is the result of an interested desire to conserve the subject of Truth, or the Truth as Subject. Readers of this introduction will likely recognize the epigraph above … Continue reading “Introduction: Can the Subaltern Fabulate?”
“I have a right to show my color, darling! I am beautiful and I know I’m beautiful!” The opening pages of Afro-Fabulations: The Queer Drama of Black Life summon the specter of Crystal Labeija. In a now-iconic scene from the … Continue reading “Afro-Fabulating in the Shadows”
The above image shows a Palestinian man who is a double leg amputee (as a result of being shot by the Israeli Defense Forces) who is sitting on the ground in a sandy area with barbed wire behind him. His … Continue reading “Weaponizing Disability”
When Terrorist Assemblages was published back in 2007, the world looked different. The association between queerness and Islamophobic nationalism—which Puar’s pathbreaking book described so well—was just coming to the forefront as a new and odd phenomenon. Centering her attention on … Continue reading “The Political Economy of Homonationalism”
This Social Text: Periscope dossier arises from a two-day intensive seminar, Queer Temporalities: Reading Elizabeth Freeman’s Time Binds, a collaborative event co-organized by The(e)ories: Critical Theory and Sexuality Studies, which was held at University College Dublin, Ireland in November 2011. … Continue reading “In a Queer Time and Space: Slowly, Closely, Over Reading Elizabeth Freeman’s Time Binds”
I want to “linger, to dally, to take pleasure in tarrying” over Elizabeth Freeman’s concept of slow reading. Indeed, I want to read slowly, to take time, to take my time. Ever since the advent of New Criticism in the … Continue reading “Slow Reading”
The promise of a voluptuous encounter with the past is arguably one of the most seductive aspects of Time Binds. Emboldened by a refusal to “give up on sex and sociability” (xxii) in the face of what she identifies as … Continue reading “‘Erotic Effusions’ in Time Binds: Queer Temporalities, Queer Histories”
Susan Stryker’s 1993 performance piece, “Transgender Rage” later became “My Notes to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage” (Rage). Sometime later, after queer theory had been declared dead, resurrected, dismembered and sutured together again several times, … Continue reading “Trans Forming Time”
One of the many achievements of Beth Freeman’s Time Binds is its persistent interrogation of how temporality produces subjectivity, as opposed to the other way around. This preoccupation which is defined by Freeman as “queer temporality” is a queer project … Continue reading “Après-Coup in extremis: Futurism and A-Historicity in the Work of Freeman, Lacan and Woolf”
