With the violence of the patriarchy becoming more prominent and exacerbating worsening socioeconomic conditions around COVID-19, circumventions and confrontations have been necessary as strategies for survival. Art, with its tradition of disestablishing flawed systems and infrastructure as well as exposing … Continue reading “Music as Counterviolence in the Time of Duterte and COVID-19”
Jazz, declared saxophonist Archie Shepp in 1966, “is anti-war; it is opposed to [the war in] Vietnam; it is for Cuba; it is for the liberation of all people. That is the nature of jazz. That’s not far fetched. Why … Continue reading “On Free Jazz Communism“
Tavia Nyong’o (New York University) and Eva Boesenberg (Humboldt Universität) will present a one-day symposium on the radical black presence in arts, music and literature in Berlin since the 1980.
Keynote Speaker:
Alex Weheliye (Northwestern University)
“White Brothers With No Soul?” The Racial Politics of Techno in Berlin
The event will also feature a free screening of the new documentary “Audre Lorde’s Legacy in Berlin.”
The event will be held Friday, July 27th, 2012, at Humboldt-Universität, Berlin, Dorotheenstr. 24, Raum 1.501. It is free and open to the public.
Please visit http://radicalblackberlin.wordpress.com for more information.
Reviewed: Tim Lawrence, Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992 (Durham, NC: Duke University Press, 2009). David Suisman, Selling Sounds: The Commercial Revolution in American Music (Cambridge, MA: Harvard University Press, 2009). I began reading these two … Continue reading “Listening at the End of the Twentieth Century”
