The Derivative Image: Historical Implications of the Computational Mode of Production

Susana Nascimento Duarte

The below interview between Susana Nascimento Duarte (School of Arts and Design, Caldas da Rainha/IFILNOVA) and Jonathan Beller first appeared in Cinema: Journal of Philosophy and the Moving Image, no. 10, in March 2019, and we are grateful to Cinema … Continue reading “The Derivative Image: Historical Implications of the Computational Mode of Production”

| Features: Interviews

Towards an Insurgent Politics of the Particular: A Review of Asad Haider’s Mistaken Identity

Bennett Carpenter

If I have to hear another argument about the relative importance of race versus class, I’ll scream. Long a staple of graduate theory seminars, late-night Facebook rants, and the various circular firing squads of the Left, the argument exploded into … Continue reading “Towards an Insurgent Politics of the Particular: A Review of Asad Haider’s Mistaken Identity

| Features

State of the Art of the State of the…Questions from the Real for Feldman’s Archives of the Insensible

Jonathan Beller

Archives of the Insensible is a book I will turn to again and again, for insight, inspiration, aspiration, a model of indefatiguable critique, and well, just to finish the damn thing. I’ve been reading Allen’s work for a long time … Continue reading “State of the Art of the State of the…Questions from the Real for Feldman’s Archives of the Insensible

| Features