Teaching “Sex in Public” (1998) a few months ago while in the middle of reading Cruel Optimism, I was struck anew by the moment when Berlant and Warner confront Biddy Martin’s critique of an aversion to the ordinary in … Continue reading “On Cruel Optimism”
In 1969 Pittsburgh Courier cartoonist Sam Milai published a political cartoon, “September Morn,” a riff on the Paul Chabas painting that depicts a young woman bathing nude. The erotic painting positions the viewer as voyeur who looks on her … Continue reading “Other People's Precarity”
Lauren Berlant’s Cruel Optimism has the uncanny quality of illuminating for readers what we believe we already knew. Her renderings of the affective quality of everyday life at the center of a declining US American empire, offered to us … Continue reading “Optimistic Cruelty”
The subject of the combover stands in front of the mirror just so, to appear as a person with a full head (of hair/ideas of the world). Harsh lighting, back views, nothing inconvenient is bearable in order for the … Continue reading “on (not) mentoring”
Cruel optimism is the provocative concept Lauren Berlant has given to a phenomenon endemic to the present political and affective moment: the holding up of hope as a means of stifling dissent, forestalling change, and ultimately rendering any array of … Continue reading “Cruel Optimism for the Neurologically Queer”
Lauren Berlant’s Cruel Optimism risks thinking the utopian in ways that are both bold and revelatory. My reflections on Berlant’s already influential book open with me taking the liberty of positioning Berlant’s work alongside my own writing on utopia. … Continue reading “Living the Wrong Life Otherwise”
As someone who has been writing about food and eating for a long time, I am most intrigued with Cruel Optimism‘s engagement with eating in the third chapter, “Slow Death: Sovereignty, Obesity, Lateral Agency.” My sense is that food exists … Continue reading “How Does It Feel?”
Lauren’s thought is fat: rich and extensive, spreading with pleasure. And I’m headed to murder, fat, and luxury as I seek to fete her. First, however, something in Lauren’s tone is moving. The sly, alluring sadism of optimism … Continue reading “Tone on the Range”
Dana Luciano: I’d like to start by pressing further on your comment (Cruel Optimism 21) about the need to invent new genres for theorizing, genres that can more effectively register, assess and imagine forms of response to the “new ordinary” … Continue reading “Conversation: Lauren Berlant with Dana Luciano”
