Madam Zajj and US Steel: Blackness, Bioperformance, and Duke Ellington’s Calypso Theater

Shane Vogel

This essay develops a theoretical framework of biopolitical performance, or more simply bioperformance, with which to approach the 1957 televised broadcast of Duke Ellington and Billy Strayhorn’s A Drum Is a Woman. Presented on the drama anthology program The United States Steel Hour, … Continue reading “Madam Zajj and US Steel: Blackness, Bioperformance, and Duke Ellington’s Calypso Theater”

| Features

The Enregisterment of Colla in a Bolivian (Camba) Comedy

Karl Swineheart

Colla and camba are two racialized, regionally indexical, and contrasting stereotypic characterological figures of Bolivian national personhood. This paper examines the enregisterment of an other-centric rendition of the colla register through an analysis of stylized performances within a Bolivian (camba) comedy, NEO. Like other … Continue reading “The Enregisterment of Colla in a Bolivian (Camba) Comedy”

| Features

Hinging on Exclusion and Exception: Bare Life, the US/Mexico Border, and Los que nunca llegarán

Abraham Acosta

This essay argues that recent developments at the US/Mexico border, specifically the passing of SB 1070 and HB 2281 in Arizona, have irrevocably altered an already conflicted political and sociocultural landscape, prompting an unprecedented crisis of resistance for which a … Continue reading “Hinging on Exclusion and Exception: Bare Life, the US/Mexico Border, and Los que nunca llegarán”

| Features